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Black Is The Colour Of My Voice ~ Adelaide Fringe Review 2024 ~ Theatre Review

Black Is The Colour Of My Voice ~ Adelaide Fringe Review 2024 ~ Theatre Review

by The Clothesline | Mar 16, 2024 | Adelaide Festivals, Adelaide Fringe 2024, Live Music, Reviews, Theatre, Theatre & Physical Theatre

[Theatre and Physical Theatre – Music/International] Black Is The Color Of My Voice Adelaide College Of The Arts, Fri 15 Mar, 2024. Apphia Campbell has crafted a wonderful and wonder-filled work to introduce us to the life, art, and voice of Nina Simone. The...
Black Is The Color Of My Voice: Theatre With Conviction ~ Adelaide Fringe 2023 Review

Black Is The Color Of My Voice: Theatre With Conviction ~ Adelaide Fringe 2023 Review

by Michael Coghlan | Mar 1, 2023 | Adelaide Festivals, Adelaide Fringe 2023, Music, Reviews, Theatre, Theatre & Physical Theatre

[Theatre and Physical Theatre/Music ~ AUSTRALIAN PREMIERE ~ INT] Ngunyawayiti Theatre at Tananya, Tue 28 Feb, 2023 Apphia Campbell has been touring this self-penned piece globally since 2013, but this is her first visit to the Adelaide Fringe. In Black Is The Color Of...
Bill Clinton Hercules: The Life And Rise Of America’s 47th President, at Bakehouse Theatre – Adelaide Fringe Review

Bill Clinton Hercules: The Life And Rise Of America’s 47th President, at Bakehouse Theatre – Adelaide Fringe Review

by Michael Coghlan | Mar 4, 2016 | Adelaide Festivals, Reviews, Theatre

Bakehouse Theatre – Main Stage, Thu 3 Mar A disappointingly small audience enjoyed this excellent solo performance about the life of Bill Clinton. Based on a play by Rachel Mariner and directed by Guy Masterson, Clinton is played by Bob Paisley and he looks and sounds...
ANOTHER LITTLE PIECE OF MY HEART: MY LIFE OF ROCK AND REVOLUTION IN THE ‘60S by Richard Goldstein – Book Review

ANOTHER LITTLE PIECE OF MY HEART: MY LIFE OF ROCK AND REVOLUTION IN THE ‘60S by Richard Goldstein – Book Review

by Dave Bradley | May 10, 2015 | Books, Reviews

Richard Goldstein (Bloomsbury Circus) 2015, 223pp, $29.99 Goldstein’s memoir of his experiences as a rock critic into the later ‘60s doesn’t delve at great length into his ‘50s childhood, nor his work as a cultural critic during the ‘gender wars’ of the ‘70s and ‘80s:...


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