Goodwood Institute Theatre, Sat 10 Apr

William Shakespeare’s Hamlet is one of the bard’s greatest and best-known plays and, like many of his works, the themes expounded upon throughout the course of this tragic tale still apply, some 400 years after it first appeared.

Smoke rolls ominously from the stage, wafting over the audience. It’s an almost-full house, yet you could hear a pin drop. Anticipation runs high.

From the moment the first words are uttered, to the very final act of this tragedy, Hamlet commands the viewer’s attention. All of the principals, some in multiple roles, are compelling in their delivery of both word and deed. This is a fine cast and, without exception, the portrayals are top-notch. Shakespeare is generally more effective when heard rather than read, and the actors do a wonderful job in bringing the words to life. Instances of the sometimes complex dialogue being difficult to discern are minimal. In a cast that features consistently strong performances, it is amazing that Will Cox still manages to stand out. His rendering of the vengeful prince, an extremely demanding role, is nothing short of excellent. Do not be surprised if you see and hear a lot more from this abundantly talented actor.

The set is simple and, through the agency of a novel aspect, extremely effective in its conveyance of the on-stage action. Subtle changes in the lighting help direct the eyes, and also to indicate switches between scenes. The costumes, while not directly reflecting any particular era (Shakespeare plays are often placed in settings from any and all moments in time) effectively provide a historical flavour. Given that the author provides little in the way of specific detail as to when the play is set, this seems entirely appropriate.

Director Rob Croser and Independent Theatre have provided a most enjoyable two-and-a-half hour interpretation of a classic tale.

David Robinson

Hamlet continues at Goodwood Institute Theatre, at various times, until Sat 16 Apr.

Book at BASS and www.trybooking.com. Click HERE to purchase your tickets.

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Goodwood Institute Theatre, Sat 10 Apr William Shakespeare’s Hamlet is one of the bard’s greatest and best-known plays and, like many of his works, the themes expounded upon throughout the course of this tragic tale still apply, some 400 years after it first appeared. Smoke rolls ominously from the stage, wafting over the audience. It’s an almost-full house, yet you could hear a pin drop. Anticipation runs high. From the moment the first words are uttered, to the very final act of this tragedy, Hamlet commands the viewer’s attention. All of the principals, some in multiple roles, are compelling in their delivery of both word and deed. This is a fine cast and, without exception, the portrayals are top-notch. Shakespeare is generally more effective when heard rather than read, and the actors do a wonderful job in bringing the words to life. Instances of the sometimes complex dialogue being difficult to discern are minimal. In a cast that features consistently strong performances, it is amazing that Will Cox still manages to stand out. His rendering of the vengeful prince, an extremely demanding role, is nothing short of excellent. Do not be surprised if you see and hear a lot more from this abundantly talented actor. The set is simple and, through the agency of a novel aspect, extremely effective in its conveyance of the on-stage action. Subtle changes in the lighting help direct the eyes, and also to indicate switches between scenes. The costumes, while not directly reflecting any particular era (Shakespeare plays are often placed in settings from any and all moments in time) effectively provide a historical flavour. Given that the author provides little in the way of specific detail as to when the play is set, this seems entirely appropriate. Director Rob Croser and Independent Theatre have provided a most enjoyable two-and-a-half hour interpretation of a classic tale. David Robinson Hamlet continues at Goodwood Institute Theatre, at various times, until Sat 16 Apr. Book at BASS and www.trybooking.com. Click HERE to purchase your tickets.

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David Robinson

A most enjoyable two-and-a-half hour interpretation of a classic tale.

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