[THEATRE & PHYSICAL THEATRE/Dance ~ NZ ~ SA PREMIERE]
Hetzel Room at The Courtyard of Curiosities, Tue 11 Mar, 2025.

We begin with a series of verbal introductions that turn into explanations which threaten to transform into a tirade. Imagine Spike Milligan meets Kafka and they converse and enter a maze of mirrors made by Escher, where you feel you may not find your way out. The dancing script morphs into dancing, tentative at first, as if sculpting the space around her.

Eliza Sanders’ performance is exhilaratingly beautiful in every aspect, and there are many views to choose from. The design incorporates an intimate collaboration with technology, so that the raw element of dance is multiplied and overlaid with a variety of images. The script elements give a theatrical dimension to make this a fully rounded, integrated experience. The disclaimers she insists on giving at the start are necessary it turns out, since Eliza’s performance lays bare both her body and soul.

This involves opening her heart to reveal details of her journey so far, and with the aid of the live camera we see their gradual evolution through repetition. Like the text, the repetition is development through constant refinement. Because repetition alone is failure. At times she changes from a moving sculpture into literally forming sculptures for significant scenes from her life. Her life story is extended to incorporate all those who came before her and made her possible, whatever their motivations.

There are plenty of surprises, and many moments of wonder. The sheer athleticism of such an excellent dancer is a glorious thing, and it is an Olympian task to manage a solo show with peak perfection. The original Olympics also celebrated the human form in its pure, natural state. And as they say, we come into this world naked. For women it is also the state in which they give birth. The serious themes and meanings are also laid out for us to pick up and run with, or to dance into our own hearts.

Eliza gives a clear picture of how to be completely comfortable in your own skin. Aesthetically gorgeous, this consummately crafted and choreographed production is a joyful interpretation of our struggle to be the best that we can be, with all its horrors and heartbreaks. But like the intricate text and superb dancing we all contain endless possibilities when you manage your expectations.

5 stars
David Cronin

Eliza Sanders’ Manage Your Expectations continues at the Hetzel Room, at various times, until Sun 16 Mar.
Book at FringeTIX or adelaidefringe.com.au. Click HERE to purchase your tickets.

#TheClothesline
#ADLFringe

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[THEATRE & PHYSICAL THEATRE/Dance ~ NZ ~ SA PREMIERE] Hetzel Room at The Courtyard of Curiosities, Tue 11 Mar, 2025. We begin with a series of verbal introductions that turn into explanations which threaten to transform into a tirade. Imagine Spike Milligan meets Kafka and they converse and enter a maze of mirrors made by Escher, where you feel you may not find your way out. The dancing script morphs into dancing, tentative at first, as if sculpting the space around her. Eliza Sanders’ performance is exhilaratingly beautiful in every aspect, and there are many views to choose from. The design incorporates an intimate collaboration with technology, so that the raw element of dance is multiplied and overlaid with a variety of images. The script elements give a theatrical dimension to make this a fully rounded, integrated experience. The disclaimers she insists on giving at the start are necessary it turns out, since Eliza’s performance lays bare both her body and soul. This involves opening her heart to reveal details of her journey so far, and with the aid of the live camera we see their gradual evolution through repetition. Like the text, the repetition is development through constant refinement. Because repetition alone is failure. At times she changes from a moving sculpture into literally forming sculptures for significant scenes from her life. Her life story is extended to incorporate all those who came before her and made her possible, whatever their motivations. There are plenty of surprises, and many moments of wonder. The sheer athleticism of such an excellent dancer is a glorious thing, and it is an Olympian task to manage a solo show with peak perfection. The original Olympics also celebrated the human form in its pure, natural state. And as they say, we come into this world naked. For women it is also the state in which they give birth. The serious themes and meanings are also laid out for us to pick up and run with, or to dance into our own hearts. Eliza gives a clear picture of how to be completely comfortable in your own skin. Aesthetically gorgeous, this consummately crafted and choreographed production is a joyful interpretation of our struggle to be the best that we can be, with all its horrors and heartbreaks. But like the intricate text and superb dancing we all contain endless possibilities when you manage your expectations. 5 stars David Cronin Eliza Sanders' Manage Your Expectations continues at the Hetzel Room, at various times, until Sun 16 Mar. Book at FringeTIX or adelaidefringe.com.au. Click HERE to purchase your tickets. #TheClothesline #ADLFringe

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David Cronin

Aesthetically gorgeous - a joyful interpretation of our struggle to be the best that we can be.

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