[THEATRE ~ AUS]
Latvian Hall, Wayville, Sat 9 Mar, 2024.
This show could be sub-titled ‘A brief history of theatre,’ as it condenses the seminal scenes, those theatrical moments that mattered most to the actors, into a new form. The result is by definition a mishmash, a messy collection of remembered highlights, their brevity often causing comedy. No attempt is made to connect these into themes or a narrative. The vignettes appear like fireworks and are gone as quickly. Some linger longer than others, with excruciating detail rebuilding the situation.
The storytelling is solid, funny and poignant in turn, and the first rule of showbiz, to ‘show, not tell,’ is accomplished by their lively acting skills, vigorous physicality and synchronised dancing sequences. The evening is made as interactive as possible, by having multiple short breaks, which allow audience members to mingle and chat about their own memories, as well as re-visit the bar. During these interludes the seating is rearranged once more to present a different perspective on the space.
The intriguing question they pose up front is ‘Why theatre?’ In a world full of multiple sources of entertainment streaming on screens, what has live theatre got to offer? Sharing their life-changing experiences in such a manner is of course designed to stimulate us to reflect on our own pathway. It’s not that theatre alone has the power to change our lives. It asks us rather to mirror the actors’ journeys and examine our own choices. Do we write our own narrative; do we take the turns needed to move into unexplored territory? Should you wish to learn more, there are extensive notes about their processes on the Adelaide Festival website.
This mix of theatre shows, movies, fringe and comedy try-outs, not to mention Greek and Shakespearean tragedies, is wildly eclectic, so there’s something for everyone here. A rapid-fire montage of the latest Adelaide Festival offerings is also included, mostly in parodied tableaux. While the performance has the feel of an improvised workshop, this excellent ensemble have their overall structure completely organised, letting the audience feel comfortable enough to freely interact. It’s a fresh, creative way to celebrate how theatre will remain a magical, mysterious force, a spring to which we can always return to drink from.
4.5 Stars
David Cronin
Grand Theft Theatre continues at Latvian Hall, Wayville, at various times, until Sun 11 Mar.
Book at adelaidefestival.com.au. Click HERE to purchase your tickets.
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The Clothesline Rating...
David Cronin
It’s a fresh, creative way to celebrate how theatre will remain a magical, mysterious force, a spring to which we can always return.
