[Theatre – SA]

Goodwood Theatre & Studios
Sat 29 July

Being proud of our country is not only one thing. It takes many forms, from jingoism to that extreme now called ‘right.’ Yes, the very word ‘right’ is hostage to these groups of white nationalists. But how does a typical Aussie bloke go from being Joe average to getting radicalised? This play lays out the path, providing a clear picture of how the process works. It also makes each of us question where we are along this slippery slope.

We can now much better understand the subtle mix of camaraderie and truth, laced with racist lies that attracts people to these groups, especially young men. The stories flow fluidly, like a river gaining momentum from more streams. And like watching a train wreck in slow motion, this seemingly inexorable transformation happens so smoothly before us that we are tempted to leap in and reach for the emergency brake. James Watson’s script blends monologue and dialogue artfully, bringing us into familiar family conflicts we can all recognize. Henry Cooper plays all the minor characters with casual precision. He maintains perfect poise while juggling racial tirades with tender revelations from his childhood.

The design with bare stage and clever lighting works a treat for seamless scene shifts. The directing is spot-on, allowing the dramatic action to rise and fall in waves that drive the plot onwards relentlessly with just the right touch of tension. Despite the horror and shocking violence, we are drawn in as willing witnesses, even as we want to scream back when they march, chanting their foul messages. And yes, this is a one-man show. The emotions are raw and real, with a delightful use of tiny details to paint each setting and nail each character. These also add dashes of humour to this grim and deadly serious subject.

The smoking gun lurks with literal potential, and the live drum kit adds ferocious effects in just the right places. As with all excellent theatre and powerful story-telling, time was suspended. In the end we are left with that wonderful feeling of both wanting more and having heard and seen enough. Enough to go out and tell you not to miss this one.

Presented by Famous Last Words
Directed by Connor Reidy

5 stars

David Cronin

Proud continues at Goodwood Theatre and Studios at various times until Sunday 6 Aug.
Click HERE to purchase your tickets.

#TheClothesline

 

 

 

 

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[Theatre - SA] Goodwood Theatre & Studios Sat 29 July Being proud of our country is not only one thing. It takes many forms, from jingoism to that extreme now called ‘right.’ Yes, the very word ‘right’ is hostage to these groups of white nationalists. But how does a typical Aussie bloke go from being Joe average to getting radicalised? This play lays out the path, providing a clear picture of how the process works. It also makes each of us question where we are along this slippery slope. We can now much better understand the subtle mix of camaraderie and truth, laced with racist lies that attracts people to these groups, especially young men. The stories flow fluidly, like a river gaining momentum from more streams. And like watching a train wreck in slow motion, this seemingly inexorable transformation happens so smoothly before us that we are tempted to leap in and reach for the emergency brake. James Watson’s script blends monologue and dialogue artfully, bringing us into familiar family conflicts we can all recognize. Henry Cooper plays all the minor characters with casual precision. He maintains perfect poise while juggling racial tirades with tender revelations from his childhood. The design with bare stage and clever lighting works a treat for seamless scene shifts. The directing is spot-on, allowing the dramatic action to rise and fall in waves that drive the plot onwards relentlessly with just the right touch of tension. Despite the horror and shocking violence, we are drawn in as willing witnesses, even as we want to scream back when they march, chanting their foul messages. And yes, this is a one-man show. The emotions are raw and real, with a delightful use of tiny details to paint each setting and nail each character. These also add dashes of humour to this grim and deadly serious subject. The smoking gun lurks with literal potential, and the live drum kit adds ferocious effects in just the right places. As with all excellent theatre and powerful story-telling, time was suspended. In the end we are left with that wonderful feeling of both wanting more and having heard and seen enough. Enough to go out and tell you not to miss this one. Presented by Famous Last Words Directed by Connor Reidy 5 stars David Cronin Proud continues at Goodwood Theatre and Studios at various times until Sunday 6 Aug. Click HERE to purchase your tickets. #TheClothesline        
David Cronin

A tour de force that urgently responds to Australia’s relationship with itself. Asking – can we, and should we, be proud of our country?

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