Governor Hindmarsh Hotel, Tue 11 Jun.

It’s an increasingly common occurrence; yet another incarnation of The Fab Four is visiting Adelaide, this time presenting a celebration of the classic Abbey Road album to a keen, if a little modest, crowd. After a fairly cheesy (but just about tolerable) off-stage introduction, The Mersey Beatles appear, dressed in “later period” costume. It takes a moment for the memories to align with tonight’s visual display, but once the music starts everything is right with the world.

It’s a pretty tough ask; performing one of the greatest albums in rock history in a live setting, but the band does a terrific job in the main. Musically, there is plenty to like. It would be curmudgeonly to make a point about missing or wavering notes when considering the overall effort involved. Polythene Pam sounds quite different, possibly due to John’s guitar signal failing, but the rest is all there. George’s guitar work is spot on, and the vocals are largely excellent. The second side of the album, featuring the mini rock opera that begins with Because, is brilliantly executed. A fifth Mersey Beatle, Tony Cook, augments the sound with some adept keyboard work.

After a short break, the band reappears, having turned back the clock to sometime around 1964, and plays a concert that captures the intoxicating tunes that made Beatlemania what it was. The crowd is up and dancing, the singalong begins with Love Me Do and doesn’t really stop; it appears that something bordering on the magical has happened. The band swaps banter with audience members, and the hits just keep on coming. There’s no harmonica in Please Please Me, and Help! sounds a little hurried, but these are minor quibbles. From The Beatles’ first Parlophone single, right up to a track from Revolver, this is a smorgasbord to be feasted upon. Throughout the evening, all four have done their best to look the part and it’s been a successful exercise. Ringo’s swishing across the cymbals, the guitar placements and stances all help to create the illusion, right-handed Paul notwithstanding. He tells us that they’ll be back next year, and the concert concludes with a brief encore featuring I Saw Her Standing There.

Suspension of disbelief is a key component in shows such as this and, especially for the second set, the audience appears to have been completely immersed in the experience. Long may it continue.

David Robinson

4 Stars

Image courtesy of David Robinson

Setlist

First Set

  1. Come Together
  2. Something
  3. Maxwells Silver Hammer
  4. Oh! Darling
  5. Octopuss Garden
  6. I Want You (Shes So Heavy)
  7. Here Comes The Sun
  8. Because
  9. You Never Give Me Your Money
  10. Sun King
  11. Mean Mr. Mustard
  12. Polythene Pam
  13. She Came In Through The Bathroom Window
  14. Golden Slumbers
  15. Carry That Weight
  16. The End
  17. Her Majesty

Second Set

  1. Love Me Do
  2. I Want To Hold Your Hand
  3. She Loves You
  4. All My Loving
  5. Please Please Me
  6. Roll Over Beethoven
  7. Boys
  8. This Boy
  9. Can’t Buy Me Love
  10. A Hard Days Night
  11. Eight Days a Week
  12. Yesterday
  13. Ticket To Ride
  14. Help!
  15. Got To Get You Into My Life
  16. Twist And Shout
  17. I Saw Her Standing ThereGov Logo - The Clothesline

 

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Governor Hindmarsh Hotel, Tue 11 Jun. It’s an increasingly common occurrence; yet another incarnation of The Fab Four is visiting Adelaide, this time presenting a celebration of the classic Abbey Road album to a keen, if a little modest, crowd. After a fairly cheesy (but just about tolerable) off-stage introduction, The Mersey Beatles appear, dressed in “later period” costume. It takes a moment for the memories to align with tonight’s visual display, but once the music starts everything is right with the world. It’s a pretty tough ask; performing one of the greatest albums in rock history in a live setting, but the band does a terrific job in the main. Musically, there is plenty to like. It would be curmudgeonly to make a point about missing or wavering notes when considering the overall effort involved. Polythene Pam sounds quite different, possibly due to John’s guitar signal failing, but the rest is all there. George’s guitar work is spot on, and the vocals are largely excellent. The second side of the album, featuring the mini rock opera that begins with Because, is brilliantly executed. A fifth Mersey Beatle, Tony Cook, augments the sound with some adept keyboard work. After a short break, the band reappears, having turned back the clock to sometime around 1964, and plays a concert that captures the intoxicating tunes that made Beatlemania what it was. The crowd is up and dancing, the singalong begins with Love Me Do and doesn’t really stop; it appears that something bordering on the magical has happened. The band swaps banter with audience members, and the hits just keep on coming. There’s no harmonica in Please Please Me, and Help! sounds a little hurried, but these are minor quibbles. From The Beatles’ first Parlophone single, right up to a track from Revolver, this is a smorgasbord to be feasted upon. Throughout the evening, all four have done their best to look the part and it’s been a successful exercise. Ringo’s swishing across the cymbals, the guitar placements and stances all help to create the illusion, right-handed Paul notwithstanding. He tells us that they’ll be back next year, and the concert concludes with a brief encore featuring I Saw Her Standing There. Suspension of disbelief is a key component in shows such as this and, especially for the second set, the audience appears to have been completely immersed in the experience. Long may it continue. David Robinson 4 Stars Image courtesy of David Robinson Setlist First Set Come Together Something Maxwell’s Silver Hammer Oh! Darling Octopus’s Garden I Want You (She’s So Heavy) Here Comes The Sun Because You Never Give Me Your Money Sun King Mean Mr. Mustard Polythene Pam She Came In Through The Bathroom Window Golden Slumbers Carry That Weight The End Her Majesty Second Set Love Me Do I Want To Hold Your Hand She Loves You All My Loving Please Please Me Roll Over Beethoven Boys This Boy Can’t Buy Me Love A Hard Day’s Night Eight…

The Clothesline Rating...

David Robinson

A fab night out!

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