Goodwood Institute, Fri Oct 31

Hollywood comedy legend Mel Brooks has managed to take two of his greatest motion pictures and turn them into musicals, with some degree of critical and commercial success. In 2001 he did it with The Producers and now Adelaide audiences have the chance to enjoy 2007’s Young Frankenstein, thanks to Marie Clark Musical Theatre.

The play, much like the film, recreates the look and feel of the classic Universal horror movies of the 1930s. In particular, Young Frankenstein takes many of its non-musical cues from Frankenstein (1931) and Son of Frankenstein (1939).

From the moment the orchestra begins and the on-stage action commences, it is clear that great care and effort has been put into this performance. It is exceedingly difficult to single out any particular aspect of the show because it is, on the whole, a very satisfying evening.

Young Frankenstein Cast - Marie Clark Musical Theatre - The Clothesline

The cast members are well-suited to their roles. Chris Daniels plays the part of the initially wide-eyed Dr Frederick Frankenstein with a relaxed confidence. Anton Schrama’s Igor is a treat; there are plenty of laughs as he finely balances insight and ineptitude. Along with Daniels and Schrama, Kristin Stefanoff as Inga, Katharine Chase (Elizabeth Benning) and Penni Hamilton-Smith (Frau Blucher) take the lion’s share of the story-telling and do an excellent job. The remainder of the cast are equally skilled. The humour, singing and dancing are outstanding. The choreography, set and lighting are top-notch. The musical score is brilliantly executed and is a highlight of the show.

Occasionally, the lyrics are obscured by the volume of the music, making it difficult to hear what’s being sung, but these and other minor technical issues are surely nothing more than opening night quirks.

Whether or not you are a fan of Brooks, or indeed of this musical, there’s no questioning the quality of this production. There is much to like.

by David Robinson

Young Frankenstein continues at Goodwood Institute at various times until Sat Nov 8.

Bookings at 8251 3926.

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Goodwood Institute, Fri Oct 31 Hollywood comedy legend Mel Brooks has managed to take two of his greatest motion pictures and turn them into musicals, with some degree of critical and commercial success. In 2001 he did it with The Producers and now Adelaide audiences have the chance to enjoy 2007’s Young Frankenstein, thanks to Marie Clark Musical Theatre. The play, much like the film, recreates the look and feel of the classic Universal horror movies of the 1930s. In particular, Young Frankenstein takes many of its non-musical cues from Frankenstein (1931) and Son of Frankenstein (1939). From the moment the orchestra begins and the on-stage action commences, it is clear that great care and effort has been put into this performance. It is exceedingly difficult to single out any particular aspect of the show because it is, on the whole, a very satisfying evening. The cast members are well-suited to their roles. Chris Daniels plays the part of the initially wide-eyed Dr Frederick Frankenstein with a relaxed confidence. Anton Schrama’s Igor is a treat; there are plenty of laughs as he finely balances insight and ineptitude. Along with Daniels and Schrama, Kristin Stefanoff as Inga, Katharine Chase (Elizabeth Benning) and Penni Hamilton-Smith (Frau Blucher) take the lion’s share of the story-telling and do an excellent job. The remainder of the cast are equally skilled. The humour, singing and dancing are outstanding. The choreography, set and lighting are top-notch. The musical score is brilliantly executed and is a highlight of the show. Occasionally, the lyrics are obscured by the volume of the music, making it difficult to hear what’s being sung, but these and other minor technical issues are surely nothing more than opening night quirks. Whether or not you are a fan of Brooks, or indeed of this musical, there’s no questioning the quality of this production. There is much to like. by David Robinson Young Frankenstein continues at Goodwood Institute at various times until Sat Nov 8. Bookings at 8251 3926.

The Clothesline Rating...

David Robinson

The humour, singing and dancing are outstanding

User Rating: 2.72 ( 19 votes)
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