7.0
Points
Shock, M, 107 Mins One of the mightiest of all original cult/midnight movies, this stark, semi-factual B+W drama from 1969 was directed for a short while by a young Martin Scorsese (who was fired for being...
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6.0
Points
Shock, M, 95 Mins Something of a lost classic , director Larry Peerce’s raw, uncomfortable drama must have seemed pretty confronting in 1967, and nowadays still feels tense, as his intriguing cast gets...
7.0
Points
Shock, MA, 99 Mins British cartoonist and graphic novelist Posy Simmonds’ Tamara Drewe (filmed by Stephen Frears) was a Thomas-Hardy-influenced attack on pretentious, snobby English types, and this movie...
5.0
Points
Shock, PG, 87 Mins Richard Matheson’s 1954 novel I Am Legend has been filmed four times: as this first-off-the-rank 1964 outing, as The Omega Man in 1971, under its original title in 2007 with Will Smith,...
4.0
Points
Shock, MA, 78 Mins This follow-up to 2013’s horror epic Contracted, which attempted to show how a zombie-cum-28–Days–Later-type virus could be created (and then left us hanging), is both...
5.0
Points
Shock, M, 88 Mins Indefatigable producer/director Roger Corman’s seventh of eight early ‘60s productions drawn from the works of Edgar Allan Poe, this is the best of the bunch, although that isn’t...
6.0
Points
Shock, M, 87 Mins The first film properly directed by the late lamented Mario Bava (who also served as cinematographer and uncredited co-writer, as drawing from a novel by Nikolai Gogol), this low-budget...
7.0
Points
Shock, M, 115 Mins Late great writer/director/producer Paul Mazursky’s somewhat forgotten fourth feature from back in 1974 is less of an ‘Issue’ movie (see his 1969 début Bob & Carol & Ted &...
7.0
Points
Shock, M, 94 Mins The often bitterly funny modern musical by Jason Robert Brown is here adapted for the screen and directed by Richard LaGravenese, and while the low budget and hurried production sometimes...
6.0
Points
Shock, MA, 96 Mins Italian horror maestro Dario Argento’s first film as writer/director from way back in 1969 takes several uncredited cues from Fredric Brown’s novel The Screaming Mimi and yet the style...
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