by Adelaide Fringe Contributor | Mar 9, 2019 | Adelaide Festivals, Adelaide Fringe 2019, Music, Reviews, Theatre
[THEATRE ~ AUSTRALIAN PREMIERE ~ USA] RCC Fringe – Bonython Hall, Fri 9 Mar. Making their Australian premiere, the OBIE Award-winning Reverend Billy & The Stop Shopping Choir: EARTHALUJAH! is part performance/part religious sermon but all anti-consumerism and...
by Michael Coghlan | Mar 8, 2019 | Adelaide Festival 2019, Adelaide Festivals, Reviews, Theatre
[THEATRE ~ AUSTRALIA] Odeon Theatre, Thu 7 Mar. You’re sitting near a total stranger. As time goes by it becomes weird not to talk so you make the tentative awkward attempt to strike up conversation. It’s trite to begin with – you talk about the time, public...
by Michael Coghlan | Mar 7, 2019 | Adelaide Festival 2019, Adelaide Festivals, Reviews, Theatre
[THEATRE ~ AUSTRALIAN PREMIERE ~ BELGIUM/GERMANY] Adelaide Festival Centre – Space Theatre, Wed 6 Mar. Technology has had a significant impact on live theatre, and when coupled together with the creative vision of director Milo Rau you get something quite special. The...
by Michael Coghlan | Mar 7, 2019 | Adelaide Festivals, Adelaide Fringe 2019, Reviews, Theatre
[THEATRE ~ AUSTRALIAN PREMIERE ~ GBR] Holden Street Theatres – The Studio, Wed 6 Mar. A key message of this show is that Osama Bin Laden was originally just a really nice normal guy who cared for his kids and future generations, until he tired of seeing Islamic...
by Adelaide Fringe Contributor | Mar 7, 2019 | Adelaide Festivals, Adelaide Fringe 2019, Comedy, Reviews, Theatre
[COMEDY/THEATRE ~ AUSTRALIAN PREMIERE ~ GBR] Gluttony – The May Wirth, Wed 6 Mar. This is a rollicking and boisterous pantomime rendition of A Midsummer Night’s Dream. With only five actors (and an MC) there is obviously a lot left out of Shakespeare’s original...
by Adelaide Fringe Contributor | Mar 6, 2019 | Adelaide Festivals, Adelaide Fringe 2019, Reviews, Spoken Word, Theatre
[THEATRE ~ ADELAIDE PREMIERE ~ SA] Holden St Theatre – The Arch, Tue 5 Mar. Martha Lott delivers an intense and fluid performance in George Brant’s demanding monologue about a female fighter pilot whose personal circumstances are impacted by the changing nature of...
