8.0
Points
[JAPAN] Mercury Cinema, Thu 24 Sep The Mercury Cinema’s season of the legendary and influential Akira Kurosawa’s take on film noir continues with a screening of Stray Dog, his 1949 contemporary police...
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Film
8.4
Points
[Japan] Mercury Cinema, Wed 23 Sep High And Low, one of famed Japanese director Akira Kurosawa’s contemporary crime dramas, kicks off the three-film season of Kurosawa’s Film Noir, the cinematic highlight...
8.0
Points
[JAPAN] Mercury Cinema, Fri 25 Sep All the way from 1960, Akira Kurusawa’s classic black-and-white film is a strong piece of social, cultural and corporate criticism. I found myself comparing it to Orwell’s...
6.0
Points
Paramount (M), 102 mins Time travel movies are always pretty silly, but feature début director Dean Israelite’s epic is enjoyably silly, with appealing leads, some nice gags (“Who’s Doctor Who?”)...
7.0
Points
Shock, 97 Minutes (M) Director Megan Griffiths’ wry, under-the-radar character study is built upon lovely performances from Toni Collette and Thomas Haden Church as one of those unlikely odd-couple movie...
10.0
Points
Festival Theatre, Fri 17 Jul The Festival Theatre was overflowing with nuns, Marias, Gretas, Baronesses, brown paper packages tied up with strings, girls in white dresses with blue satin sashes and there...
THE REGAL THEATRE TO HOST THE AUSTRALIAN RED CARPET PREMIERE OF TOUCH On Sun 17 May, The Regal Theatre, Kensington Park, will host the Australian Red Carpet Premiere of TOUCH which will be attended by the...
9.0
Points
Palace Nova, Thu 30 Apr. Dr Travis Bell (Mark Leonard Winter) is a psychiatrist who is falling apart. Addicted to prescription painkillers and booze, he is barely able to help himself, let alone his patients....
Film /
Interviews /
April 30, 2015
by Lynette Washington. The Adelaide-based team at Projector Films have just released their first feature film, One Eyed Girl. With truly rave reviews flooding in from the U.S. and the Jury Award from the Austin...
4.0
Points
Monster Pictures, MA, 100 minutes Director/script-adaptor/co-editor/co-star John Johnson’s rethinking of Edward D. Wood Jr.’s infamous ‘Worst Movie Of All Time’ isn’t a remake or straight parody...
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