by Adelaide Fringe Contributor | Mar 19, 2017 | Adelaide Festivals, Multimedia, Music, Reviews, Theatre
The GC at The German Club – Studio, Fri 17 Mar. Walk through the door to a dystoptian future that still holds hope for renewal. Wow, big dreams! In the search for utopia and organic symbiosis we have two screens and two music gizmos to immerse our senses in a world of...
by Adelaide Fringe Contributor | Mar 19, 2017 | Adelaide Festivals, Live Music, Reviews
The Garden Of Unearthly Delights –Magic Mirror Spiegeltent, Sat 18 Mar. The glamorous Magic Mirror Spiegeltent is the perfect backdrop for this elegant duo! It was completely magical absorbing the sounds of Katie Noonan’s silky voice and Karin Schaupp’s...
by Adelaide Fringe Contributor | Mar 19, 2017 | Adelaide Festivals, Live Music, Reviews
Showroom One at The GC at The German Club, Sat 18 Mar. This evening saw a list of Beatles songs from their very own psychedelic albums, performed live which is something that even The Beatles themselves had never managed to do. With songs performed to a full house at...
by Adelaide Fringe Contributor | Mar 18, 2017 | Adelaide Festivals, Live Music, Reviews
Adelaide Botanic Garden – Plane Tree Lawns, Fri 17 Mar. What is there not to like about sitting under the stars on a perfect evening in a beautiful spot in the Botanical Gardens, especially when you are listening to Point05 and Akoustic Odessey, with guest vocalist...
by Clayton Werner | Mar 17, 2017 | Adelaide Festivals, Reviews, Theatre
Tandanya Arts Cafe – Thu 16 Mar. Buried At Sea is three plays in one – it’s a story about playwright and actor Mark Salvestro’s great uncle George and his life cut short in 1915, injured at Gallipoli and then literally ‘buried at sea’ from the hospital...
by Clayton Werner | Mar 16, 2017 | Adelaide Festivals, Reviews, Theatre
Bakehouse Theatre – The Studio, Wed 15 Mar. Anteworld has been written by local Mark Tripodi and is where No Exit meets Greek mythology. It stars three characters and though it is in the modern idiom, it is full of references to the classics. It takes a modern...